Dramatic soprano Jeanne-Michèle Charbonnet has established herself as a leading force in the German and contemporary repertoires. Her intense stage presence has been widely praised by critics, with the New York Times proclaiming her a ‘spine-chillingly powerful’ performer. Recent performances include the title role of Ariane et Barbe-bleue for Opéra National du Rhin in Strasbourg and Herodias for the Deutsche Oper Berlin in a new production conducted by Maestro Runnicles, a role she repeated at the Grand Théâtre de Luxembourg.
Highlights include the release as the title role in Strauss’ Elektra with the London Symphony Orchestra and Maestro Valery Gergiev; the title role of Ariane et Barbe-bleue in Barcelona and Dijon; Judith in Bluebeard’s Castle for Nantes, Angers, and Paris; Leonore in Fidelio at the Teatro San Carlo; Katerina Izmailova in Lady Macbeth of Mtsensk for the Florence May Festival and Teatro Municipal Santiago; Goneril in King Lear for Frankfurt, Elektra for Deutsche Oper Berlin, Edinburgh International Festival, and LSO under Maestro Valery Gergiev; and Cassandre in Les Troyens for Opéra National de Paris. Charbonnet has appeared at major opera houses including the Gran Teatre del Liceu, Barcelona; Opéra National de Paris; Teatro Real, Madrid; Oper Frankfurt; Opéra National de Bordeaux; Deutsche Oper Berlin; Teatro Comunale di Firenze; Teatro La Fenice; and Bregenz Festival. Her major roles include Ortrud in Lohengrin, which she has sung for both Frankfurt and Dallas Opera, Kundry in Parsifal, Venus in Tannhäuser for Geneva and Toulouse, Sieglinde in Die Walküre, and Brünnhilde in Der Ring des Nibelungen, both for the Opéra National du Rhin. Highly sought after as a voice pedagog and master teacher, Jeanne Michèle maintains studios in Berlin, Germany, and is Associate Professor of Voice at HEMU – Haute Ecole de Musique in Lausanne, Switzerland.